It was one of those
last few dying days of spring in Chandigarh, when the breezyApril gives way to
an unforgiving May and walking outdoors becomes synonymous with getting cooked
in a furnace.. I wanted
to have a haircut, and as I made my way
to a barber’s shop - run by a gentleman from Western UP - located in a
Sikh-majority neighbourhood on the southern fringes of Chandigarh, I was
thinking about an unflinchingly critical article (https://scroll.in/magazine/863986/seventy-years-on-chandigarh-hasnt-lived-up-to-corbusiers-expectations-or-nehrus-boasts) about the 70th anniversary of
Chandigarh, published a couple of months ago. As I sipped orange juice at a
stall run by a gentleman from Bihar, I read the article once again and felt my
annoyance with it grow. On my way back, now feeling much lighter, I picked up
chicken momos and headed back to my institute plotting my response to an
article that described my city as a “modern-day monumental fossil”! If a modern-day monumental fossil is a place
where a Marathi-speaking person could walk to a Punjabi Sikh-majority
neighbourhood, to have his hair cut by a man from UP, sample fruit-juice
at a Bihari man’s stall and have his tongue singed by the chilly chutney
prepared by a Nepali momo-seller, only to return to an institute, where the
single-largest language is Malayalam, then it is a pretty unusual fossil
indeed.
One of my main
grievances with Harshawardan Raghunandhan, the author of the article in
question (henceforth “the author”), is that he provides very few specifics. He
begins the article by giving a glaringly incomplete historical overview of the
Chandigarh project, then proceeds to give a horrifyingly ill-informed
crash-course on Le Corbusier’s plan for Chandigarh. The article ends, quite
abruptly, with a handful of loudmouthed judgments about the city with little or
no justification provided.
With that little rant
let me state at the outset what I propose to write in the following paragraphs.
Am I planning to glorify the city of Chandigarh? Far from it. I am not going to
add any new points of my own extolling the virtues of living in Chandigarh. In fact, I will spend the first few
paragraphs helping the author’s case by highlighting some really miserable
aspects of life in Chandigarh. I will then try and address (and hopefully
debunk!) some specific points raised by the author.
***
One of the first
things I noticed when I first moved to Chandigarh some eight years ago, was the city’s
shambolic public transportation system. I remember being stranded on dark
streets, having missed my institute’s shuttle, waiting helplessly for a
Chandigarh Transport Undertaking (CTU) bus that would take me towards my
institute 11 kilometres away from Chandigarh’s city centre. CTU’s connectivity
problem is not just limited to the fringes. I recall having spent nearly an
hour waiting for a bus at the Sector 43 ISBT, one of Chandigarh’s public
transportation nodes. Having spent the first 18 years of my life in Bombay I still
find this lack of reliable public transportation and the consequent reliance on
auto-rickshaws and app-based cab services strange and a little unsettling.
This lack of public
transportation doesn’t come as a surprise when viewed in the context of the
overall layout of the city. The bottom-line is that the city was planned for the
middle classes and above; and in doing so the planners made a fatal error that
urban planners have continued to repeat throughout the country. They assumed
that urban elites would clean their homes, cook their own food or even be
able to sleep peacefully without having a man in a uniform guard their front
door. In other words, they completely failed to accommodate the large
floating population of domestic workers, security guards, construction workers
etc. This meant that this floating population had to find refuge into rapidly mushrooming shantytowns (which the author mentions in his article) sprawling open spaces in the city, or out into one of the
many old villages (for example, Burail)* that weren’t displaced when the city
was built. Not unlike in other cities in India,
civic authorities in Chandigarh have, in recent years, waged a war against these
people, displacing them from the city’s grid to villages on the urban fringe.
Sandwiched between the city’s grid and the airport is one such villages called
Jagatpura, which I had the good fortune to visit as a part of a course on cities (conducted by Dr. Anu Sabhlok) along
with my friends (Arul, Aniket and Prajwal). A tiny fraction of Jagatpura’s
population consists of local Punjabi Sikh landlords, who till some of the land
there. But a vast majority of the village’s population is made up of daily wage
earners from Uttar Pradesh, Bihar and in one case, even Nepal. The number of kuchcha
hutments that house these people has exponentially increased over the past
decade. We discovered over the course of our visits to the place that the
reason for this explosion was demolition drives carried out elsewhere in the
city.
The other problem
created by Chandigarh’s American Suburbia-like cityscape is distances. This
coupled with the fact that Chandigarh has somehow evolved commercial
neighbourhoods that specialize in (and monopolize) specific kind of goods (for
example, bathroom related hardware in Sector 22, electrical hardware in Sector
18, surgical equipment in Sector 16, wholesale groceries and vegetables in
Sector 26) means one inevitably ends up travelling from one end of the city to
another.
Compare this with my home in the western suburbs of Bombay, where within a radius of 200 metres, one could buy anything from vegetables to train tickets to giant metallic cylindrical things (whose use I haven’t bothered to find out) to fish (both edible and rearable) to laptop computers to – until a few years ago, when the State Government finally decided to shut down the local cattle market – even buffaloes.
Compare this with my home in the western suburbs of Bombay, where within a radius of 200 metres, one could buy anything from vegetables to train tickets to giant metallic cylindrical things (whose use I haven’t bothered to find out) to fish (both edible and rearable) to laptop computers to – until a few years ago, when the State Government finally decided to shut down the local cattle market – even buffaloes.
To summarise, I will,
albeit reluctantly, have to agree with the author’s final analysis that seventy
years on, the city has failed to live up to expectations of its founders.
This brings me to the
main point of my essay. Although I agree with the author’s overall conclusion,
I find his article to be incredibly sloppy. The author is guilty of missing out
on important facts, making interpretations that can only be described as
shockingly ill-informed and passing baseless, frivolous judgments. Let me try
and elaborate.
I do not know if
omission of an important fact is a crime, but in his haste to discredit
Corbusier’s city, the author fails to mention that Corbusier wan'ts, in fact, the first foreign architect appointed to the Chandigarh project. If one visits
the City Museum in Sector 10, one can find on display blueprints of a
fan-shaped city, completely different from Corbusier’s regimented orthogonal
grid. This initial plan for the city was prepared by American architects Albert
Meyer and Matthew Nowicki, who were appointed by Nehru in 1949. When Nowicki died in a tragic plane crash,
Meyer resigned and the project was subsequently awarded to Corbusier (along
with Maxwell Fry and Jane Drew).
Further light is
thrown on the author’s armchair scholarship when he mentions the “square-shaped
sectors” of Chandigarh. Anyone who has bothered to look at a map of Chandigarh
(a highly recommended activity before writing an article on Chandigarh!), will
tell you that the city is made up of rectangular sectors. In fact, each
sector is 800 metres by 1200 metres, which results in an area of 960000 square
metres, a figure the author quite correctly provides.
It is hard to tell if
it is a deliberate falsehood or another example of the author’s apparent
dislike for facts, but his claim that “[t]here would be
no room for industrial or military activity in Chandigarh...” is just
laughable. In the version of the author’s article that appears on Scroll.in there
is a photograph of Le Corbusier posing next to a picture of his Master Plan.
Tucked away in the right hand side of the Master Plan is a region shaded with
slanting lines depicting – yes, you guessed it right – the Industrial Area.
In fact, Corbusier designed the Industrial Area as an ‘arm’ of a metaphorical
person. The Capitol Complex was probably the ’head’. As for the military,
Chandigarh and its environs have always been home to numerous wings of the
Indian military. The Air Force has its Base Repair Depot here and occupies a significant
portion of the city to house its staff. The headquarters of the Western Command
of the Army are located at Chandimandir (from where the city derives its name).
With staff drawn from all over the country, these institutions (along with
large campuses of paramilitary forces such as ITBP and CRPF) have imparted a
fairly cosmopolitan flavour to a city that was designed to be a provincial
capital.
The author’s claim that hurt me the most is
his fantasy that the city’s plan would prevent anyone from imagining a place
for themselves in the city (with the notable exception of career bureaucrats). Other
than countless rick-shaw-pullers, auto-drivers, fruit-sellers, barbers, small
shop owners who, despite innumerable encumbrances, have found their feet in
this city, the one group of people who disprove the author’s assertion are the
city’s students. The other ‘arm’ of the Corubusier’s metaphorical person is an
institution whose genesis lies in violent displacement from Lahore – the Panjab
University. One of the better public universities in India, for students across
the region (J & K, Punjab, Himachal, Haryana, Uttarakhand) and even outside
the region, the University is a hotly pursued destination. Sector 14, which in
its entirety is the University’s campus, and its adjacent areas completely defy
the image of a dull, bureaucratic city the author works so hard to create in his
article.
I wonder what made the author believe that
Chandigarh does not hold the popular imagination of India. I would like to
claim (although I admit I have no data to back this claim) that Chandigarh is
the most sung-about city in the country. Every year countless songs mentioning
Chandigarh in some way are released. Apart from uncountably many Punjabi songs
(Yaari Chandigarh Waliye, Chandigarh Waliye, Chandigarh Rehn Waliye for some
examples), there are Himachali (Hawa Lagi Chandigarh Ri) and even Bollywood
songs (Kala Chashma, Kaisi Dhaakad Hai)
that talk of Chandigarh as some fancy, cool place.
The author concludes his article by saying, “ In Chandigarh’s case, plan and monument alone could not guarantee a city in full." I couldn’t agree more. No city is perfect;
and Chandigarh with its numerous shortcomings falls well short of the image of
an ideal city its planner had in mind. But contrary to what the author would
have us believe this city is alive and it’s kicking.
*Google Earth images of the city offer some fascinating views of how
these old villages interrupt Chandigarh’s perfect grid.
PS: Here is an
interesting read on the architecture of the city: https://www.archdaily.com/806115/ad-classics-master-plan-for-chandigarh-le-corbusier
Acknowledgements: I would like to thank Dr. Syed Zeeshan Ali for his comments and suggestions and Karan "Bhatti" Bhatt for sharing the Himachali song with me.
Acknowledgements: I would like to thank Dr. Syed Zeeshan Ali for his comments and suggestions and Karan "Bhatti" Bhatt for sharing the Himachali song with me.
Isn't the diversity of lives which you have attributed to Chandigarh, more in the fringes? The city do support them, but can the people in fringes really call the city theirs, with no 'specified space' for them? Do they really feel welcome in the cultural landscape of the city? Isn't there a homogeneity to the nature of people who occupy the city spaces?
ReplyDeleteChandigarh sure is not dead, but in my opinion that perhaps is because it is designed in a way that it creates dependencies, not really because it makes everybody feel at home.
I like Chandigarh for it's order, especially because almost all other cities in India are characterised by chaos. And dislike Chandigarh for the same reason.
I think it is important to remember that people on the fringes largely work in the city proper and are an integral part of it. They are dependent on the city and the city depends on them. There's no specified place for the to live in the city proper, but they have the freedom to work there.
ReplyDeleteI cannot comment on how welcome they feel.
But, nobody can deny that the people who sell "Bombay ka mashhoor burger" contribute to the cultural landscape of the city.
True. I feel the contributions of the said populace is more akin to those of ostracised. They do contribute to the cultural landscape, but do not form the part of the dominant narrative, and in some sense are expendable. The activities of the city administration suggests that.
ReplyDeleteDependency need not translate into participation.
True
Delete